Film Viewpoint catalogue

Find a film. See it from a fresh viewpoint.

Film Viewpoint is an Australian independent film publication and creative cinema club-style website. This catalogue connects curious readers with considered reviews, story guides, character profiles and production facts, rather than leaving a title as a bare listing. Search for a film, follow a genre, then explore the editorial coverage that is available for it.

Results pair factual film information with clearly labelled editorial coverage where it is available.

Warmly lit cinema lobby with a ticket counter and glowing film posters
Editorial illustration for Film Viewpoint.

How to read an entry

More than a title and a thumbnail

Each film entry is built to make the next useful question easy to ask: what does the film do, what happens without unwanted detail, who matters to the story, and which production details can be checked as fact?

Our view

Original review

An editorial review is Film Viewpoint’s considered response to a film’s craft, ideas and impact. It may attend to performance, form, mood or the way a scene lands, but it is always presented as opinion rather than reference material. We aim to give readers language for their own response, not a score that settles the conversation.

Story guide

Story guide

A spoiler-free overview offers useful context before viewing. When a film benefits from closer plot discussion, the detailed material sits behind a plainly labelled spoiler reveal. You decide when to open it, and can close it again, so a quick orientation never accidentally becomes a full plot explanation.

Character focus

Character focus

Character profiles look at motivations, relationships and narrative function from a reader’s perspective. Credited cast information is kept separate from this interpretation. A profile can trace the pressure around a character or their place in an ensemble without pretending an interpretation is a verified statement of authorial intent.

Reference desk

Verified production facts

Credits, release details and production information appear in distinct fact panels so they are not confused with a review. Where appropriate, a verification note signals the status of the reference material. Availability varies by title, but the distinction remains simple: factual rows support checking; editorial writing supports reading and thinking.

Discover

Search the editor’s shelf

Look for a title or combine genres to shape a useful starting point. Search checks the films displayed below and filters can be selected together.

Browse by genre

Showing 6 films. Search by title or choose one or more genres to narrow this editor’s shelf.

Catalogue results

Films to explore

Factual details appear in the credit rows. Editorial note marks Film Viewpoint’s independent perspective.

Stylised dark hallway illustration for The Babadook
Image: Film Viewpoint editorial illustration.
Horror

The Babadook

2014 · Directed by Jennifer Kent · Essie Davis, Noah Wiseman

Editorial note. Jennifer Kent’s mother-and-son horror story makes grief and fear feel inseparable, giving domestic spaces a tense, unstable charge without reducing its characters to a simple fright device.
Review availableStory guide availableFacts available
Mystery drama

Picnic at Hanging Rock

1975 · Directed by Peter Weir · Based on the novel by Joan Lindsay

Editorial note. Peter Weir’s film invites attention to absence, atmosphere and unresolved questions. Its unease grows through what cannot be securely explained, making it a rich route into writing about mood and ambiguity.
Story guide availableFacts available
Comedy

The Castle

1997 · Directed by Rob Sitch · Starring Michael Caton

Editorial note. Rob Sitch’s warm ensemble comedy finds its shape in home, belonging and suburban life. The entry offers a starting point for readers interested in how a collective voice can carry a film’s humour.
Review availableCharacter focus availableFacts available
Action / science fiction

Mad Max: Fury Road

2015 · Directed by George Miller · Tom Hardy, Charlize Theron

Editorial note. George Miller’s kinetic survival film is a useful gateway to visual storytelling: movement, direction and pressure do much of the work before dialogue needs to explain the world around its characters.
Review availableStory guide availableFacts available
Science fiction

The Matrix

1999 · Written and directed by Lana and Lilly Wachowski · Keanu Reeves, Laurence Fishburne, Carrie-Anne Moss

Editorial note. The Matrix opens a path into writing on reality, choice and the visual language of systems. Its catalogue entry keeps its production credits clear while making room for thematic interpretation as editorial reading.
Review availableCharacter focus availableFacts available
Animation / fantasy

My Neighbour Totoro

1988 · Written and directed by Hayao Miyazaki

Editorial note. Hayao Miyazaki’s animated fantasy is a gentle discovery route for readers thinking about childhood, nature and imaginative space. The emphasis is on close observation rather than turning a quiet film into a fixed lesson.
Story guide availableCharacter focus availableFacts available

Choose your detail

Plot discussion stays in your hands

Some readers want a quick sense of a film before watching; others arrive ready to unpack a turning point, ending or character decision. Film Viewpoint separates those needs. Story guides begin with spoiler-free context, while detailed discussion is held behind an explicit, reversible control.

The warning is not decorative. It tells you what will happen next, and the control announces whether the discussion is open or closed. That means you can browse a film entry confidently, whether you are choosing tonight’s watch or returning after the credits.

⚠ Spoiler discussion

A clear pause before plot detail

This sample uses a general editorial note rather than a film-specific revelation.

Keep discovering

Choose a reading route, not just a genre

Catalogue browsing can begin with a familiar title, but it can also start with the question you want a film to answer. These editorial routes gather useful ways of looking, then send you back to the shelf with a clearer instinct for what to explore.

Australian screens, close up

Move between local comedy, unease and family stories with an eye on place, voice and the everyday details that make a film’s world feel lived in.

Explore film stories

Worlds built through images

Follow films where design, framing and movement carry meaning, from charged landscapes to machine-like systems and imagined spaces.

Read visual features

Characters under pressure

Find profiles that stay with relationships, decisions and changing loyalties, while keeping cast credits and interpretation clearly apart.

Explore character profiles